The Weeknd To Support Florence & The Machine on 5 U.S. Tour Dates

Although an odd pairing to see on tour, it’s been confirmed that The Weeknd will be supporting Florence and the Machine on five of their 2012 United States tour dates. Blood Orange and The Maccabees will also open on selected dates.

To celebrate, check out the dates below courtesy of Pitchfork. The bold dates are the ones Abel will be supporting the band.

We’ve also included The Weeknd’s awesome remix of “Shake It Out” for your listening pleasure.

05-08 New York, NY – Radio City Music Hall *
05-11 Uncasville, CT – Mohegan Sun Arena *
05-12 Atlantic City, NJ – Borgata Spa & Resort Event Center  *
05-17 Perth, Australia – Burswood Dome *
05-20 Melbourne, Australia – Rod Laver Arena *
05-22 Adelaide, Australia – Entertainment Centre  *
05-24 Sydney, Australia – Entertainment Centre *
05-25 Sydney, Australia – Sydney Opera House (Vivid Festival)
05-26 Brisbane, Australia – Riverstage *
05-28 Auckland, New Zealand – Vector Arena *
06-22 Scheessel, Germany – Hurricane Festival
06-23 Neuhausen, Germany – Southside Festival
06-24 London, England – Hackney Weekend
06-29 St. Gallen, Switzerland – Open Air
06-30 Arras, France – Main Square Festival
07-01 Werchter, Belgium – Rock Werchter
07-06 Balado, Scotland – T in the Park
07-08 Dublin, Ireland – Phoenix Park
07-12 Benicassim, Spain – Benicassim Festival
07-14 Lisbon, Portugal – Optimus Alive
07-20 Burnaby, British Coumbia – Deerlake Park
07-21 Auburn, WA – White River Amphitheater
07-22 Troutdale, OR – Edgefield
07-25 Morrison, CO – Red Rocks Amphitheater
07-27 Somerset, WI – Soundtown Festival
07-29 Indianapolis, IN – The Lawn At White River State Park
07-30 Cleveland, OH – Jacobs Pavilion At Nautica
07-31 Detroit, MI – Fox Theater
08-02 West Toronto, Ontario – Molson Amphitheater
08-03 Montreal, Quebec – Osheaga Festival
08-05 Chicago, IL – Lollapalooza
08-08 Oslo, Norway – Øya Festival
08-09 Gothenburg, Sweden – Way Out West Festival
08-22 Belfast, Northern Ireland – Tennent’s Vital
08-25 Reading, England – Reading Festival
08-26 Leeds, England – Leeds Festival
09-14 Mansfield, MA – Comcast Center #
09-15 Wantagh, NY – Nikon at Jones Beach Theater #
09-16 Saratoga Springs, NY – Saratoga Performing Arts Center #
09-18 Camden, NJ – Susquehanna Bank Center #%
09-19 Columbia, MD – Merriweather Post Pavilion #%
09-21 Raleigh, NC – Raleigh Amphitheatre #
09-22 Atlanta, GA – Music Midtown
09-23 Pensacola, FL – DeLuna Fest
09-25 Tampa Bay, FL – USF Sun Dome #
09-26 Sunrise, FL – BankAtlantic Center #
10-01 Kansas City, MO – Starlight Theater #
10-04 San Diego, CA – Cricket Wireless Amphitheatre #%
10-05 Mountain View, CA – Shoreline Amphitheatre %
10-07 Los Angeles, CA – Hollywood Bowl #%
10-10 Albuquerque, NM – Hard Rock Casino Presents: The Pavilion #
11-20 Milan, Italy – Mediolanum Forum
11-22 Munich, Germany – Zenith
11-24 Amsterdam, Netherlands – Heineken Music Hall
11-25 Antwerp, Belgium – Lotto Arena
11-27 Paris, France – Zenith
11-28 Luxembourg, Luxembourg – Rockhal
11-30 Dusseldorf, Germany – Mitsubishi Electric Halle
12-01 Berlin, Germany – Arena Treptow
12-02 Frankfurt, Germany – Jahrhunderthalle

* with Blood Orange
# with The Maccabees
% with The Weeknd

Purchase the “Shake It Out (Weeknd Remix)” [iTunes]
We quite like the cover we found on our search for an image for this post as well!

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Track Review/Video: Nelly Furtado – Big Hoops (Bigger The Better)

It’s technically been six years since Nelly Furtado’s unique voice delivered an album that stormed mainstream United States. Sure, there was 2009’s spanish debut Mi Plan and a greatest hits record released in 2010, but it was the 2006 third record Loose from the Portuguese songbird that really had our veins pumping with energetic vibes. It was an interesting time for Furtado in that she seemed to take a large departure from the folk-pop sounds of her first two records for a Timbaland inspired dance-pop sound. However, it was unsurprising, considering her collaborations with Missy Elliott on the “Get Ur Freak On (Remix)” [Youtube] and Timbaland’s remix of “Turn Off The Light (Featuring Ms. Jade)” [Youtube].

Never mind the genre that Nelly’s hopping into because the unique voice and songwriting aspect has always remained stagnant. With a record due out June 19th, 2012 called The Spirit Indestructible, it’s no doubt that with an album title like that, the songwriting and powerful words aren’t going anywhere.

You wouldn’t think the aforementioned paragraph is true if you heard the lead single off the record. The Rodney “Darkchild” Jerkins produced “Big Hoops (Bigger The Better)” seems to fit right in with the mainstream top 40 charts and features a hook that is literally “The bigger the better, the bigger the better, the bigger the better, the better the bigger.” While it’s not exactly subpar to Furtado’s gloriously written discography, there are saving lines in which help to find a direction in the track that compliments it’s production.

Keeping in line with the empowerment and TLC-inspired anthems and themes, there’s a declaration of “I don’t wanna talk about sex, wanna express myself tonight. I can go fast, I can go slow, I can go places nobody else knows” which flows nicely with the seductive musings that have always been expressed through Nelly’s discography, and walked the thin line between overt and coy.

Toward the end of the track, the fast and slow lines come into play as a clever drum and bass breakdown comes into play. It’s a nice departure of sound for Jerkins as a producer and ultimately saves this song from succumbing to an unimaginative pop piece. Sadly enough, it seems that the radio edit of this song completely omits this part of the track, though we found that the album version of the lyric video has been put into place. Our fingers are crossed that Interscope knows what’s good for them and will promote the album version of the track.

The mixing? It’s loud. Anyone with ears can hear that and we don’t have a lossless version yet, so we’ll definitely mention this one in our review of the record.

In fact, the record is so loud that it sounds as if when the video was uploaded to YouTube, it sacrificed a lot of the high-end because of how much focus is directed at two things: The kick and Nelly Furtado’s voice.

The video? It’s one of Nelly’s more interesting ones. It’s no “Try” or “Say it Right,” but she’s never been the artist to put out huge, elaborate visuals with her music. They’ve always been simplified to allow musical compliments, but overall ensuring the music speaks for itself. It’s commendable and what we can say is there are a lot of tall people and big hoops in this video.


Purchase “Big Hoops (Bigger The Better)” [iTunes]

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Garbage Sorta Release “Not Your Kind Of People” To Stream

Garbage Not Your Kind Of People

UPDATE: Album streaming in full over at Spin. Click here to listen!

Hot off the heels of an unfortunate leak of Garbage’s first record in seven years, the band has made it sort of available to stream via NME.com. Click here to be taken to the page.

Currently, the stream is only thirty seconds of each track but it’s filled with the up and down tempo mixture that we’ve come to love from the band. In regards to any sort of word on our favorite’s here at 2020k? We still haven’t heard it. We’re saving our ears and any words for when we pick up the Deluxe Edition of the album and will promptly review every single auditory signal because of the intense anticipation we’re experiencing with wanting to hear this record for so long!

Though, we’re digging the clips for “Felt” and “Sugar”.

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Animal Collective Debut New 7″ “Honeycomb” & “Gotham”

Animal Collective Honeycomb Gotham

It’s always a surprise in regards to what you’re going to get with the always experimental, genre-crossing Animal Collective. Today, the band revealed a new 7″ release via Domino Records. The record, out June 26th, 2012 contains two new tracks “Honeycomb” and “Gotham” and is available for pre-order right here. No record player? No problem. An MP3 download will also be made available the date of the release.

“Honeycomb” is the sort of chaos we’re used to and is forever changing it’s structure and working with vast effects and stereo space. Throughout the insanity, the chaos “how many times have you said you’ve had it today?” is sung and it’s impossible to ignore the flutter that almost everything is drenched in. It’s a marching tune, it’s a banger, and it’s a realm of plug-in territory we know from the band all too well.

“Gotham” plays to the A-side’s counterpart, offering a slower and dreary landscape. With a warm bass and muffled sounding kick drum that compliments and warms the entire mix up as a whole.

Animal Collective’s signal chain is absolutely insane and we refuse to go through any aspect of the records too deeply without a solid, lossless product in front of us. However, musically speaking it’s impressive. This band is one that’s yet to let us down. Have a listen to the record’s B-side below and let us know your thoughts!

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Moby Releases Thirty Minute Ambient Track “All Sides Gone,” Prepares Destroyed Remix Album

Moby Destroyed Remixed

One of the more intricate releases of 2011 was Destroyed by Moby. Initially, the album was released in accompaniment with a book of photos that was meant to compliment the introverted, quiet feel of the record. The photos (which you can view on the mini-site) were snapshots of the artist’s life on tour and demonstrated the ironically lonely feeling maintained while performing in front of thousands of people and staying in sterile hotel/airport environments.

It was quite artistic and a great continuation of Moby’s artistry. If you didn’t want the book you could order a digipak of the album that came with some photos, or just the CD itself. Soon after, came another Deluxe edition of the album which featured an entire second disc of new material in the same line as what was initially released.

We’ve touched on this sort of marketing before with Moby with the example of 2009’s Wait For Me, a record that also showed a slew of re-releases. Read how we touched upon it here and check out our review of the initial record on the same page. here.

NOW, Moby is re-releasing his 2011 record again in two disc, limited edition remixed format. Disc one will be full of uptempo mixes from the likes of KleerupPaul Van DykThe Holy Ghost!, and more. The second disc? It’s known as the “small room DJ Mix” which unravels mixes by Photek, Yeasayer, and a remix of “The Poison Tree” by David Lynch which was initially released as an extremely limited edition vinyl to celebrate 2012 Record Store Day.

The last track on the small room disc is a thirty minute ambient track called “All Sides Gone” that plays in the line of the bonus disc Hotel: Ambient to the 2005 release Hotel. A simplified piano melody over top of gorgeous pads and languid electronic drones plays along the soundtrack equivalent to sonic comfort and meditation.

It’s quiet parts are quiet, it’s more built up portions are hushed as well, but it’s a perfect chill out tune that, while it mostly stays stagnant through it’s run, holds a magnificent delicacy that only Moby has been known for.

It’s also to note that this isn’t the first time Moby has released a track this long. 1994’s single found a stretched out, ambient release entitled “Hymn.Alt.Quiet.Version” which turned out to be 33 minutes and 43 seconds.

Destroyed Remixed is out April 30th, 2012. Click here to pre-order your copy.

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100 Facebook Fans?! Thanks! Now win an iTunes Giftcard Courtesy of 2020k!

2020k 100 Likes

UPDATE: CONTEST HAS ENDED. WINNERS HAVE BEEN CONTACTED VIA FACEBOOK.

Winners have been selected (at random) & messaged via my personal Facebook profile (because I can’t message using 2020k…) – Thank you to those who participated and to all those who continue to show support! You guys are great. 

Check your messages and reply back with the necessary details. Thanks again. 

Recently, our 2020k Facebook page hit 100 likes.

As a thank you to each and every one of the readers of this blog, I’m happy to announce that we’re giving away two U.S. iTunes Gift Cards* valued at $10! That’s one normal priced iTunes album and you still have a penny left over!

What you need to do to qualify:
1.) Go to http://www.Facebook.com/2020k
2.) Click “like” (if you’ve already liked us, skip to the next step)
3.) “Like” this article on the Facebook page
4.) You’re entered!

The one thing I find lacking a bit around this website is interaction between myself and all of you (leave some feedback and opinions..I don’t bite!), so if you leave a little something something as a comment in the post on our Facebook…I might pick a winner from the comments as well. 😉

Bigger and better prizes will definitely be up for grabs in the future so be sure to like on Facebook and follow on Twitter!

So far, 2020k is comprised of writings because of my love for audio and writing. No funds have been made from this website..all the contests we’ve had so far have been out of the kindness of the artist’s hearts (thank them..really)! Why no funds? Part in due to my laziness, part due to my incompetence as to how to set any sort of financial gain up, mostly due to I just really love doing this.

Everything that’s been done so far on 2020k and the decision to carry on with the website has large been in part of the reflection of response from all of you.  Your clicks, emails, comments, and tweets are very encouraging and I’m thankful for all of the readers who have been with me since the site’s launch in March 2011. It’s definitely time to give back to all of you!

THANK YOU SO MUCH! If this post could be compressed, it would have so many compression plugins on it that it would pose whole NEW threats to the Loudness wars!

Deadline to enter: May 4th, 2012 11:59PM EST
Winner will be announced on May 5th.

*Please keep in mind that if you do not have the U.S. version of iTunes, you’ll unfortunately no be able to redeem the coupon. My apologies! I’ll find something in the world for the international readers next time. You’re appreciated! 🙂
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Infrasound: Electro-House Musician Kiks Is Anything But “Slow”

Kiks

Since the age of fourteen, London based Kiyon Samavat, better known as Kiks, has been involved in a plethora of respectable musical endeavors. After picking up the guitar at twelve years old and being highly influenced by the iconic Fleetwood Mac, he’s done songwriting and producing for pop and indie rock genre. While we don’t know where those projects are we can disclose now, at twenty years young, he’s found a heart and home in the ever growing house music scene.

Just three songs have officially been released by Samavat, including the debut track “Slow” which features vocalist Amber Clara, who enchantingly lives down the road from him. The song initially builds up with mid to high range sounding percussive instrumentation before the filter technique is slowly rolled off around the fifth bar. From there, an infectious synth-bass line drives it’s beginnings before a main melodic lead temporarily breaks off into a solo and brings all of the parts together.

It’s a blazing dance track with a unique pop feel at it’s core. Being featured on a short film entitled Dirty Secret, the track contains standard vocal manipulations, quantized stutters, and repeated phrasing that flourish through the song’s duration. Subtle dubstep influences are also present throughout it’s extent, but always finds it’s way back into it’s quaint four-to-the-floor thumping track.

While the instrumentation and number of synthesizers of “Slow” don’t seem to account for too many tracks in the overall session, if you take into consideration the amount of different sections the song contains and break them down both by their number of instruments in a given portion, then add in all of the effects, you can truly see that a lot of work went into this piece of music. It sits at a modest 5db of Dynamic Range according to the TT Loudness Reader and never clips once in the mix. Honorable in a land that a couple of years ago thrived with musicians pushing the limits of their music and squashing the life out of their songs.

Also on Kiks plate is his interest in synthesizer work. In an early press release, he proclaims he’s been learning on his main Digital-Audio-Workspace Logic Pro and reveals “I started making my own presets on synths such as Sylenth and Logic’s ES2 and making my own drum samples was when the creativity really started flowing.”

With that being said, it’s no surprise that with the release of his second track “Tell Her” contains a busy percussion beat that subtly changes periodically through the song. It’s also creates a sensationally complex stereo image.

Clara delivers a standard female dance vocalist vibe, with a delay freely wandering through her tracks. Lyrically, it’s emotionally instant in the way a pop song attentively grabs the listener. The two deliver an effective jam in it’s wave of phrases beginning fittingly enough with the words tell her that stagger between lines of love and lines of betrayal and endearment lost.

“Tell her in the summer, tell her what she wants to hear.
Tell her that you love her, you don’t know what you mean to her.
Tell her that you’re sorry, tell her bout the girls you kissed.
Tell her in the summer, you don’t know what you do to her.”

What we don’t hear too much about in the world of Electronic Dance Music and why we enjoy Kiks (who is very handsome) as much as we do is his emphasis on the approach to the songwriting process itself. Speaking on lyrics, Kiks mentions “I usually write most of my songs on the guitar and then sit down and try and convert it into a Logic project. My number one priority in every track I make is to have a catchy vocal hook. Those make or break songs and if I haven’t written a vocal line that sticks in my head and drives me crazy, then the song needs more work.”

Also in the works, is a moombahton influenced remix of the Flo Rida and Sia “Wild Ones”. While it’s unofficial, we’re on the edge of our seat to hear how this re-work pans out!

Follow Kiks on his official Twitter and head on over to hear more music over at his Soundcloud page where you can hear a devilishly moody Refix of Adele’s “Rolling In The Deep,” and check out his latest release “Tell Her” featured below.

All music released under the Kiks alias is located via his official YouTube channel.

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Willow Smith Is Currently Working With Kate Nash AND Sia

Willow Smith Kate Nash

OfficialWillow: So cool meeting @katenash today. Can’t wait to work together!!

HUH?!?!?!?!?!?!??!?!?!?!?!?!?!?!?

“Hair Whipping is a victim?”
“Foundation: 21st Century Girl?”
We’re just as confused as you are, but will keep you posted…

UPDATE: We literally just rushed back to this entry 2 minutes after it was posted as we were scrolling through our timeline and found this: @siamusic Here I am with @officialwillow out in the boonies. Majorly cutepants.

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Barack Obama “Slow Jams The News” With Jimmy Fallon & The Roots

Obama, Fallon, The Roots

Okay, so this needs no explanation other than this: United States president Barack Obama schedules an appearance on Late Night With Jimmy Fallon. Then, proceeds to partake in a skit called “Slow Jam The News” with Jimmy Fallon and his backing band The Roots.

The song? A slow jam about the current fight to not raise interest rates on subsidized student loans for college students. All in favor of a Barack Obama record deal say oooohhhhh yeahhh…!

Look, occasionally we’ll Tweet something semi-political and either gain or lose a follower. Opinions will be opinions and you all have a right to your own. However, it’s impossible to deny that the always charismatic Obama reaching out to mainstream media in this manner is not only highly entertaining, but is also a great way to spread word in a light way about the happenings within the United States of America.

Put your opinions aside and enjoy the video below!

We’ll let you know when a lossless file is available. 😉

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Track Review: Iamamiwhoami Get Vulnerable on “Idle Talk”

Iamamiwhoami Idle Talk

Track by Track: ;john | Clump | Sever | Drops | Good Worker | Play | In Due Order | Idle Talk | Rascal | Kill

Throughout the Kin by Iamamiwhoami experience so far, we’ve witnessed an exploration of several topics, all different from one another, but all linking together into an even bigger picture than the large spectrum that each song hones into. What’s always been constant is a feeling of being human: the insecurities, the triumphs, and the imagination have all been discussed and on “Idle Talk,” the latest release from the project (April 25th, 2012) we receive an angle that’s been touched upon, but more deeply endeavored: love. More accurately the loss of it.

Lyrically, the song actually sounds like it could fit in with Jonna Lee‘s solo projects from before the Electronic music took off. It’s heartfelt and poetic, honest without metaphors to be discussed upon hours. “Where are you, my long lost love? It feels like yesterday has parted. I held you closest to my trusted heart, now the withdrawal seems to be starting,” Lee states in the opening lines.

From there, the lyrical content teeters upon reminiscing (“With you I flourish into greatness. Extend my arms into a misty light, making my future path seem weightless”) and relentless sorrow once the chorus hits. Regardless, there’s an inkling of creativity within the lyrical content when the words “sing” are repeated in reverse throughout the end of the track. Perhaps a throw back to “Y” (Little hope, sing a song of fire).

The entire vocal production as a whole contains an array of reverberation effects,  but it’s the vocal delay that gives “Idle Talk” it’s best asset. The majority of the verses contains a helping delay, hidden underneath most of the reverb and mix, however, it’s the eighth note stereo delay that plays off of the last word of certain phrases which achieves jubilation. Bouncing the words from the left and right channels, it comes together with the break between lines to create an energizing feeling of enthusiasm, as well as hesitance that connects with the overall discern of the glittering, Electro track.

The background vocal production is lush. “I swear I’m gonna make you..” Jonna Lee laments amongst toward the middle of the song, “…if you can still be on my back, oh.” It’s the internal voice of the song that’s mixed completely divergent of any other stem inside the song, sounding distant, equalized for an emphasis on high frequencies, and is delivered with lethargic ease that helps the cathartic sensation the sixth release from Kin delivers.

A beautiful pad plays below the first four measures of the second verse and contains darkness, but a warmth at the same time that contains the power to mold together the drastic changes in melodies and song structure, to make them sound more seamless and subtle than they are. It’s a simple, but effective choice in artistic song vision.

Toward the beginning of the track, before the verse verse, there’s a sweep effect that seems to have been recorded from a synthesizer, then split into it’s own channel where it could have been mixed on it’s own. Of course, we do not have the multi-tracks, so it could be another channel on it’s own, with it’s own melody, dedicated to containing the sweep.

Regardless, the synthesizer work is exquisite on “Idle Talk” – specifically one of the main bits of instrumentation that glides downward to create what sounds like a defeated melody that emotionally assaults the listener and battles within itself to continue the notes it’s meant to perform.

Iamamiwhoami Idle Talk

“Idle Talk,” like the rest of the songs in Iamamiwhoami’s collection contains a video, but with this visual piece we finally start getting connections and answers (at least, as much of an answer as the project is willing to disclose). The majority of the video takes place, like most Iam videos, in a forest. It’s cinematography focuses on less detailed shots, but offers a broad spectrum of forest to paint a denser picture, despite the scenery proving itself less lively than it’s predecessor films. It’s very “T” from the BOUNTY series.

But, the last scene we find Jonna Lee back in the apartment building we met her in toward the beginning of the Kin campaign. This time, opening a closet that leads to a room that shockingly looks like the room we found her in almost a year ago in the “; John” video.

Talk about a cliffhanger! Can you wait two weeks for the next installment? With this sort of anticipation, we’re on the edge of our seats.

Normally, we’re hesitant to give songs a five out of five rating. If it happens, it has to be something special. So far, we’ve thrown Iamamiwhoami a few perfect ratings and this one happens to be another. The quality of their music and everything they’ve done so far is almost immaculate.Kin, as well as Iamamiwhoami as a whole is shaping up to truly be one of the greatest pieces of Electronic music put together in the 21st century.

Track rating: 5/5


Check out ForesakenOrder’s Video Analysis for “Idle Talk” by clicking here!

Purchase “Idle Talk” [iTunes]
Purchase “Idle Talk” [Amazon]
Purchase “Idle Talk” [Juno Download] (Lossless file)

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