Concert Review: 6/22/2012 Fiona Apple – MGM Grand At Foxwoods

Fiona Apple

Update: We saw Fiona Apple AGAIN at her closing show in Pittsburgh, PA. Click here to read our review!

Editor’s note: Confused by our lack of updates? We’re still working! News will be a little bit slow for the next coming weeks. Click here for more on why.

I’m from Pittsburgh, PA, but as soon as Fiona Apple announced a tour date by a city where a friend resides in Connecticut, my tickets were immediately ordered and an eight hour weekend road trip was successfully planned.

Fiona Apple: Live at MGM Grand at Foxwoods, Mashantucket, CT – June 22nd, 2012.

To say the least and to say what we’ve heard since the beginning of her career, Fiona Apple’s 90 minute set in promotion for her new record The Idler Wheel... (which will see a proper 2020k review) was intense. Production consisted of her band, a few light rigs, and herself complete with piano and microphone. Material from all four records were vastly covered over a 17 song set and all of the thrashing, laying head down on the piano, and mannerisms from what we’ve come to see from the SXSW festival performance were present.

Interestingly enough, Fiona Apple took a few moments in between songs to interact with the audience and some of the most memorable moments happened during these segments. Turns out, she didn’t get any sleep the night of this particular show and decided it would be nice to ask the crowd if there was anyone else who fell ill to insomnia. Later, she would mention that she was getting a second wind and was thankful for those in the audience whom she said was waking her up. Though later, during one of the songs in her set, she would slide across the floor, lay there for a brief moment near a smiling band member, before proclaiming once more of her exhaustion.

Despite accidentally beginning to sing the third verse of “Anything We Want” during the opening verse, the show went off without any sort of indication of a lethargic songstress and even contained an extended version of “Tymps (The Sick In The Head Song)” with a bit more of an elaborate and live production, turning the hip-hop dabble from 2005’s Extraordinary Machine into more of a jam session, with slight dub undertones.

By the end of the set, Fiona was warmed up, assaulting the entire audience with the more aggressive vocal stylings (think: the chorus of “Regret” from The Idler Wheel..), specifically during “Not About Love,” which was perhaps the strongest, most difficult vocal/piano section of the set. Following the song’s end she coyly remarked, “I need to stop worrying/over-thinking about whether or not I can play it, because then I play it, and then I can play it!!” Fits of laughter erupted as the room enjoyed the adoringly slaphappy comments.

Right before one of the closing numbers, Fiona proclaimed she’d never gambled before but had heard that casinos like their machines to hit in populated areas. She stopped herself midway through the speech to charmingly apologize to the venue for giving out their secrets (MGM Grand at Foxwoods is a resort casino) but told everyone to make sure they played near the enterences and bathrooms.

It’s moments like these that are cherished at shows. Fiona said “..Like you really wanted to know any of that..” after one of her interactions, but the respectful crowd clung on to every word, sung or spoken.

“I’m going to pretend to leave the stage now..” she spoke after her signature song “Criminal”. Then, a one-song encore of Conway Twitty’s “It’s Only Make Believe”, complete with a subtle disco ball illuminated by purple light for effect.

She thanked everybody for having fun and told them to go have even more fun.

It was a charming save from her earlier casino banter and a charismatic end to a show presented in raw, gut-wrenchingly emotion form that Fiona Apple has flawlessly delivered and never backed down from.

Want to see her again. Maybe in Pittsburgh..

Fast As You Can
On The Bound
Shadowboxer
Paper Bag
Anything We Want
Get Gone
Sleep To Dream
Extraordinary Machine
Werewolf
Tymps (The Sick in the Head Song)
Daredevil
I Know
Every Single Night
Not About Love
Carrion
Criminal
Encore: It’s Only Make Believe

Posted in Tour | Tagged , , , , , , , | 5 Comments

Erykah Badu Rips Wayne Coyne’s Throat Out via Twitter After Disapproving New Flaming Lips Song & Video

Editor’s note: Confused by our lack of updates? We’re still working! News will be a little bit slow for the next coming weeks. Click here for more on why.

Seeing an artist expand their musical territories is one watched with inspired eyes, so originally, we were excited for the collaboration between The Flaming Lips and Erykah Badu. An interesting track called “Now I Understand” was released through the band’s Soundcloud four minutes ago and the hype for a second collaboration entitled “First Time Ever Saw Your Face” began once frontman Wayne Conye began posting stills for the music video on his Twitter. Then, the video was released and all hell broke loose.

It’s a cover of a Ewan MacollPeggy Seeger song, which became a big hit for Roberta Flack. So, what’s the issue?

“First Time Ever I Saw Your Face” featured Badu naked. Again, what’s the issue? After all, we did get the politically forward video for “Window Seat,” which featured the singer stripping through the area John F. Kennedy was assassinated at in the name of bringing awareness to an ongoing sociological happening called group think. This collaboration, which is directed by Conye, shows several scenes of Badu and contains scenes of her sister Nayrok in a bathtub with various liquids poured all over her.

That’s it, you ask? That’s it. While it seems as though it’s some sort of obscure artistic vision, one could see why it would cause a little controversy. Skip forward to the end of the video where it looks as though Nayrok is being covered in milk..or semen. We’re unsure of the motives and it seems as though Coyne was too. Erykah Badu posted a large rant via her Twitter page where she lashed out against the direction of the video and proclaimed the entire situation, video and recording of the actual song itself made her extremely uncomfortable.

“@waynecoyne then… perhaps, next time u get an occasion to work with an artist who respects your mind/art, you should send at least a ROUGh version of the video u PLAN to release b4 u manipulate or compromise the artist’s brand by desperately releasing a poor excuse for shock and nudity that sends a convoluted message that passes as art( to some).
Even with Window Seat there was a method and thought process involved. I have not one need for publicity . I just love artistic dialogue . And just because an image is shocking does not make it art.
You obviously have a misconception of who I am artistically. I don’t mind that but…
By the way you are an ass.
Yu did everything wrong from the on set .
First:
You showed me a concept of beautiful tasteful imagery( by way of vid text messages) .
I trusted that. I was mistaken.
Then u release an unedited, unapproved version within the next few days.
That all spells 1 thing ,
Self Serving .
When asked what the concept
meant after u explained it , u replied ,”it doesn’t mean anything , I just want to make a great video that everyone is going to watch. ”
I understood , because as an artist we all desire that. But we don’t all do it at another artist’s expense .
I attempted to resolve this respectfully by having conversations with u after the release but that too proved to be a poor excuse for art.
From jump,
You begged me to sit in a tub of that other shit and I said naw. I refused to sit in any liquid that was not water. But Out of RESPECT for you and the artist you ‘appear’ to be, I Didn’t wanna kill your concept , wanted u to at least get it out of your head . After all, u spent your dough on studio , trip to Dallas etc.. Sooo, I invited Nayrok , my lil sis and artist, who is much more liberal ,to be subject of those other disturbing (to me ) scenes . I told u from jump that I believed your concept to be disturbing. But would give your edit a chance.
You then said u would take my shots ( in clear water/ fully covered parts -seemed harmless enough) and Nayrok’s part ( which I was not present for but saw the photos and a sample scene of cornstarch dripping ) and edit them together along with cosmic, green screen images ( which no one saw) then would show me the edit. .
Instead, U disrespected me by releasing pics and rough vid on the internet without my approval. (Contract breech )
That is equivalent to putting out a security camera’s images of me changing in the fitting room.
I never would have approved that tasteless, meaningless, shock motivated video .
Our art is a reflection of who we are . I have no connection to those images shot in their raw version. I was interested in seeing an amazing edit that would perhaps change or alter my thoughts . Never happened .
You also did the same thing with the song itself which displays crappy “rough “vocals by me . I let it go , perhaps iiiii was missing something, I thought.
I Should have followed my first mind back in studio when recording the vocals “your way”.
( Red flag.) It was uncomfortable.
For that I am at fault .
Consequently, brother, As a human I am disgusted with your what appears to be desperation and poor execution. And disregard for others . As a director I am unimpressed . As a sociologist I understand your type. As your fellow artist I am uninspired. As a woman I feel violated and underestimated.
Hope it works out for ya ,Wayne.
Really i could give a shit less.
Still love your live show tho.
And , you’re welcomed.
Lesson learned .
By the way I have guested in very few videos. But I have always been given the opportunity to see the edit and contribute to it when my roll is substantial. Not this time .
I guess u feel it better to apologize than ask for permission and be refused . Hey, Love u man, but your ways are not very nice .
O, And on behalf of all the artists u have manipulated or plan to manipulate, find another way .
These things have been said out of necessity.
And if you don’t like it
you can KiSS MY Glittery ASS .
O and Nayrok told me to tell u to kiss her ass too .
Almost forgot.
Peace

Ms. Badu”

We currently have Erykah tweeting positive and negative reactions her colleagues and fans are posting to her, while Wayne pouts in the corner at the backlash and continues pulling the defensive card by reposting tweets that praise the video or speak illy of the neo-soul singers thoughts.

If this were a game of Mortal Kombat, we’re currently at the FINISH HIM stage. Erykah Badu is trying to find the cheat code to friendship, while Wayne Coyne is attempting to revive that last bit of mortality toward the situation.

We hope they both pack light.

Watch the explicit, extremely not safe for work video for “First Time Ever I Saw Your Face” here and let us know your thoughts in the comments section.

Posted in Sine Wave | Tagged , , , , , , , , , | 2 Comments

Esthero Releases “Never Gonna Let You Go”

EstheroEsthero has uploaded the explicit and edited versions of the debut single off Everything is Expensive. Wait, can we repeat that?

Let’s be a bit more proper. Songwriting, singing Goddess Esthero has uploaded the explicit and edited versions of the debut single off her first studio record in seven fucking years called Everything is Expensive and it’s dynamite!!

“Never Gonna Let You Go” picks up where the aggressive, but vulnerable uptempo songs on her 2005 sophomore Wikked Lil’ Grrrls record left off. It’s a straightforward, feisty, honest confrontation that cycles around the confusion of a dwindling relationship. Through the first verse, it seems as if the man is letting our Pink Pirate go, but through the second and third, it’s clear that it’s the other way around.

“Baby I don’t want to break your legs but I do what I gotta just to make you stay” to “Wrap your heart around my stable mind. It didn’t have to end this way, but you told a lie…and I don’t want to let you go.”

Listen, dude. She doesn’t want to, but if she has to, she has to.

The release date for the single is June 5th and will contain remixes, but the track is open for ears on her official YouTube channel right now.

For more information on the record see our previous article. Listen to “Never Gonna Let You Go” below.

Single tracklisting:

1. Never Gonna Let You Go
2. Never Gonna Let You Go (Cajjmere Wray Saved My Life Mix)
3. Never Gonna Let You Go (Russell ‘Chuck’ Morgan’s Hot and Sticky Mix)
4. Never Gonna Let You Go (Studio Matt’s Take You Back Mix)
5. Never Gonna Let You Go (Awesome vs Procon Mix)
6. Never Gonna Let You Go (Cajjmere Wray Saved My Life Mixshow Mix)

Posted in track review | Tagged , , | 1 Comment

Original Video of the Demo Version of Lana Del Rey’s “National Anthem” Gets Posted!

Lana Del Rey

On May 19th, we noted that Lana Del Rey has been shooting videos for “Summertime Sadness” and “National Anthem,” preparing to give them both the full single treatment.

Today, we get a glimpse of the past as a user uploads the original version of the video for “National Anthem,” which features the guitar heavy demo version, as opposed to the stringed-out pop version we hear on her debut record Born To Die (review).

The demo version is something we definitely hope to hear mixed and mastered for an upcoming single release. (Please..we’re begging you. This version has outstanding potential).

It’s put together in the same line as the “Video Games” and “Blue Jeans” features. Cut and pasted nostalgia, with Del Rey placed in common settings, looking pretty, and holding our gaze with the unique editing style.

Posted in Video | Tagged , , | 1 Comment

Lady Gaga Cancels Indonesia Show After Extremist Threats

A few months ago, we saw Erykah Badu cancel a concert in Malaysia due to backlash against a promotional picture in which the word Allah appeared to be tattooed across her chest, but this is child’s play in regards to what happened to Lady Gaga‘s slated show in Indonesia, which was announced canceled yesterday, May 27th, 2012.

Indonesian police refused to issue the pop star a permit to play the 6/3/2012 Jakarta show after extreme backlash from the conservative muslim communities who threatened to target Lady Gaga in however they could to stop the show from taking place.

50,000 tickets had been purchased for the event. Apparently, 150 of those tickets were announced by Hardline group Islamic Defenders Front (FPI) as being purchased. In a statement on the organization’s Facebook account, they posted a picture and proclaimed “We have gotten Lady Gaga tickets, not to watch [the concert] but for us to enter. Whatever will be will be, we’re ready for the risk.” They also called her “Devil’s messenger” who only wears a “bra and panties”.

On top of this, protests aimed to stop the performance were also staged and followed through with. Videos of signs proclaiming “go to hell, Lady Gaga” can be seen via Yahoo!’s coverage.

Upon cancelation, Habib Salim Alatas, the group’s FPI Jakarta chairman, stated that the cancellation was “good news” for Indonesia’s Muslims.

Gaga’s stance? She took to twitter, where she has the most followers out of any one on the social media website. First to say, “There is nothing Holy about hatred.” Then, “We had to cancel the concert in Indonesia. I’m so very sorry to the fans & just as devastated as you if not more. You are everything to me.”

Well said and an extremely unfortunate blow to have to cancel because of this sort of situation.

View announced venues and purchase tickets to the Born This Way Ball here.

Posted in Sine Wave | Tagged , , , , | 1 Comment

Iamamiwhoami Book 2012 Berlin Festival, Nominated for another O Award, Release “Kill”

Iamamiwhoami KillIamamiwhoami KillTrack by Track: ;john | Clump | Sever | Drops | Good Worker | Play | In Due Order | Idle Talk | Rascal | Kill

Before any of the news in the headlines is covered, we’d like to bring some somber news to fans of Jonna Lee’s alternative music. It seems as though the domain name to her official website has expired. You can take a look back at the webpage through our previous article here. It seems as though this was always the plan for the fate of the website and with each small step we get further away from the acoustic/pop beginnings  of what would become the catalyst for the Iamamiwhoami project.

Though past has passed, the future continues to shine for Iam and their debut album Kin. They’re nominated for another MTV O Award under the Digital Genius category (vote here) and despite not having confirmation on the lineup page, the project is rumored to play Germany’s 2012 Berlin Festival on one of their September dates. If true, this would be the second Iamamiwhoami show in 2012, the first being the Stockholm festival in August.

Through all of the new happenings with the digital geniuses (see what I did there? Do you?!?! Go vote, damnit..), the one thing that remains constant is that a new video and track from Kin entitled “Kill” was released via YouTube on May 22nd and various digital outlets on the 23rd.

The main premise of “Kill,” sonically, seems to be maintaining a strong and stagnant rhythmic state. This is most evident at the chorus, where almost every single aspect of the melody falls inline with a downbeat, drives the track in some way, or is accented on one of the stronger beats in a given measure of the song. The most interesting part of this rhythm is an unexpected brass-like section, which is clearly heard through the right channel and plays in line with the bass line of the track during the verse, then moves more into a supportive role at the chorus by voicing itself lower in the mix, semi-breaking from it’s norm, producing whole notes as opposed to it’s eighth note bass counterpart.

When the rhythmic melody isn’t being focused on, there’s a lot of atmospheric back noise going on throughout the song, which is done through the use of several pads that you can hear most clearly during the “come on, just kill this,” breakdown. Mostly held out in whole notes, these pads and assisting synths help evolve the sections of “Kill” with their semi-distorted effects that aren’t used prominently, but are present enough to give greater depth to the mix of the song. Reverberated and panned percussive elements provide aid to the subtle mood as well and all in all build a great foundation for the main instrumentation and vocal channels to ebb and flow on.

Of course, the signature Iamamiwhoami vocal reverberation and delay effects remain intact with the majority of the song, but a small break during the breakdown finds Jonna Lee showing off a wider singing range. “Come on, just kill this” is sung in a lower register, while a second lead vocal comes in half-way through, jumping up octaves. When the two combine and are present overtop of the steady kick drum, it emotionally balances on desperate hopefulness, creating one of the most triumphant climaxes we’ve heard from the Kin series.

The lyrics could be interpreted into trying to destroy a certain situation or worry while feeling the repercussions of it, and trying to move on. Verses with lines such as “one foot forward, will you be catching my fall? Once I give, I know you’ll be claiming more” show the hesitance in dealing with an issue, while the chorus provides a perfect summary of the basis: “Come on just kill this, demands and notions, all this commotion is not worth it. Come on just give this a second coming, an age is dawning with out smiles and laughter.” As a chorus should.

It’s apparent from the music video for “Kill” that the song is focused to something more specific, the loss of a child. From the water breaking, to the subtle notions in which Jonna Lee grabs her stomach and is aggressive toward it and even looking back through previous videos it’s clear that one aspect of the story has somehow focused upon this. We’ve had the “Y” baby, the prostitution feel of the “;John” and “Clump” videos, and the overtly sexual performance from 2011’s live debut Way Out West. From there, most of the videos in support of Kin have seemed to be stemmed from finding a balance from fantasy/innocence, to reality/maturity.

“What is expected, to carry you in my arms” is the key line in this song, morphing all of the meanings together into one conglomerative study.

It’s also of note that “Kill” can be seen as a close relative  of “Drops” because of the close relation of mixing techniques. The kick, bass, and vocals of both of these tracks have the heaviest focus within the mix. All other elements immensely help the song in all ways possible. Muddiness doesn’t occur because of them, interesting effects with minimal distortion thrive, and pushing melodic sections come together to pace the song and make it a unique sonic experience. Cohesion lies within a lot of the songs on Kin, but none as smartly linked as these two.


P.S. Rumors have been circulating that “Kill” is the last release from Kin until the record drops. This is not true. “Goods” is slated for emancipation on June 5th. There’s also rumors of Kin being pushed back until September, which is also false information. Pre-orders are available on several websites and the record is still anticipated for June 11th on CD+DVD/Vinyl.

Purchase “Kill” [iTunes]
Purchase “Kill” [Amazon]
Purchase “Kill” [Juno Download] (Lossless)

Posted in Sine Wave, track review | Tagged , , , , , , | 15 Comments

Giorgio Moroder Records a Rap for the New Daft Punk Record

We’re basically watching for the new Daft Punk record with the same anxious eyes as the Boards of Canada one.

While 2010 brought us the score to Tron Legacy and an awesome Reconfigured Remix album to it (in which we mashed up one of the tracks with “Bad Romance”), it’s been seven years since their proper studio release Human After All. To say anticipation is high would be the understatement of the year.

But, alas! We have some news. Legendary producer Giorgio Moroder held a one on one interview at the International Music Summit in Ibiza, where he stated that he recorded a rap for the duo’s new record.

Urb.com Reports: The robots asked the Munich Machine to go into a vocal booth and speak about his life. In the studio were multiple microphones of various vintages from the ’60s to today. When Moroder asked the engineer why they had so many mics, he replied that the mic they would use would depend on what decade of his life he was speaking about. When Moroder asked if anyone would know the difference, the engineer replied “They will know.”

Nile Rodgers of Chic also confirmed that he’s worked on several songs for the upcoming Daft Punk project.

Oh, holy day. So many disco kings!

Posted in Sine Wave | Tagged , , | Leave a comment

Beyonce Documentary Takes Us Far Behind The Scenes of “Revel” Show

Beyonce Knowles is gearing up for her first live performances since the birth of Blue Ivy at a four night stay slot from May 25-28th at Atlantic City’s Revel Resort. In true Beyonce fashion, the R&B singer takes us backstage in a documentary series through the video below and demonstrates the amount of work and precision that goes into planning a live show.

In part one of this documentary series, the main focus stays on the lighting portion of the show. LED light struggles, mapping out the lights, and choosing which screens will be presented at the stay are all featured. We even get to see a modestly-frustrated Beyonce holding up pictures and proclaiming “this is why I didn’t get any sleep last night!” through a cheeky smile.

A great watch, indeed. We’ll update you with part two.

UPDATE: PART TWO

Posted in Video | Tagged , , , | Leave a comment

Sine Waves: Things I Will Miss & Things I Will Miss

Oh, hello there! Did you hear Beach House has a new record out? It’s true. I’m listening to Bloom right now and it’s quite good. However, this little blip is an informational quickie to inform all you awesome Other People that I will be On The Sea, heading to the actual beach for the first time in my life this week! So, I will be taking a break from spreading news to the world about the latest musical happenings.

Who knew that the week I would be going on vacation that the music world would prepare to blow up and release a whole bunch of stuff?! Not Me. So, I’ve compiled a little list of things I will miss while being away and things I will miss.

Things I Will Miss While Being Away

1.) Our bi-weekly mystery game Nancy Drew, best known as Iamamiwhoami will release their eighth installment of Kin called “Kill”. Of course, you’ll be able to watch the video on Tuesday here, purchase it on iTunes on Wednesday, and read ForsakenOrder’s beautiful video analysis of it as well. It’s already leaked..but hopefully you’re waiting it out like a good clump should.

2.) Garbage will physically release Not Your Kind Of People on May 22nd, 2012. Pick up your copy on iTunes now or hop on over to Amazon to get a CD. It’s their first full studio release in seven years and sounds great from what’s gone through my ears so far.

3.) Coney Island queen Lana Del Rey is gearing up for her next single “National Anthem” and shot a video for it. A few weeks ago it was said to be “Summertime Sadness,” but it seems as though both are getting proper releases and we’re not complaining. Born to Die is one of the best releases of 2012 and both songs are dynamite. Am I right?

4.) Donna Summers shockingly passed away. I don’t really do too much coverage on celebrity deaths as they happen. I feel as though the media as a whole does enough of it,  and a bit insincerely sometimes. So, a simple Tweet or small Facebook post from me is enough to suffice my immediate condolences and hopefully remind people to Feel Love. Rest in peace, Disco Queen.

5.) Alternative rock veteran Alanis Morissette released a lyric video to an okay new song called “Guardian” which is the single off Havoc and Bright Lights. Album is slated for release August 28th. She’s embarked on an International Tour. No United States dates are out yet.

6.) Kinesthetiac released a track called Fowur and a new EP entitled Cout Miny Candy which you can get at his Soundcloud. Read more about the little prodigy in our Infrasound artcle about him.

7.) We’re no closer to a new Boards of Canada album than we were the day after Trans Canada Highway came out in 2006. It’d like to say this as A Moment of Clarity, but it’s more like we’re all waiting for someone to Open The $#%&ing Light. Oh well, I’m off to see The Beach At Redpoint so I’ll be too busy with my Sunshine Recorder to Stand Alone waiting for Pete. Bye, bye, bye, bye, bye, bye, bye, bye…

Things I Will Miss While Being Away

For those who don’t know, I currently reside in a small suburban city an hour outside of Pittsburgh, Pennsylvania. It’s quaint and all of my friends & family are here, but I honestly don’t think I’ll miss much outside of them. I graduated from the Conservatory of Recording Arts & Sciences with a degree in Audio Engineering in May 2009, and unfortunately had to flee back to my hometown because of financial troubles (school ain’t cheap, yanno). It’s now officially three years later and I’ve worked a slew of low paying jobs in hopes of being able to relocate to a metropolitan area and work my way from the bottom into the recording industry as a studio engineer.

It’s a difficult, stressful, daunting, and all around maddening situation that I’m still steadily searching to remedy. I’ve been full steam searching for apartments in and around New York and Los Angeles and looking for interesting jobs I could take while inquiring with studios. But, how can anybody pay rent out there?

The few odd studio jobs around the area were great to me, but they never had any room to keep their interns. I’ve been a walking, non-paid intern bouncing from studios for three years. Let’s face it, Pittsburgh isn’t exactly the place to be for the music/audio industry as a whole.

I think right now all I need is a short, budgeted vacation with some great people for a week. Then, back to the grind..

Don’t miss me too much! I’ll put lots of Instagram’d pictures up, 140 character Tweets if anything musically massive or amazing happens, and perhaps some drunk musings in regards to how much I love Rihanna (specifically this) and what I would do with Justin Timberlake if he were sharing a hotel room with me. PEACE!

Posted in Personal, Sine Wave | Tagged , , , , , , , , , , , , | 1 Comment

Esthero To Release First Single In Seven Years On June 5th!

Esthero

Holy shit! Ladies and gentlemen, we don’t know much but brace yourselves because the pink pirate, studio rat, designer geared Toronto kid, Hollywood brat, bad gal, war child, boomworm, Sierra Leon activist cat, Wikked Little Gal! herself Esthero is gearing up to release her first single in nearly seven years on June 5th, 2012.

What do we know about the album, so far? Next to nothing. However, “Black Mermaid”may make an appearance on the untitled project. You can currently stream that song via her official Blog.

Live Ustream sessions were also held which featured Esthero in the studio with engineer Franny Graham (which my longtime Twitter friend and myself adoringly renamed Fran-E in the chat and brought small laughs to the session) in which we heard a snippet of a track tentatively titled “How Do I Get You Alone”. Though it’s not confirmed, we’d love to hear it!

Esthero (or Jenny-Bea Englishman known outside of the stage) hasn’t been completely absent from the spotlight. We received a co-write to the title track of Brandy’s 2008 release Human, three co-writes on Kanye West’s 808s & Heartbreak (“Love Lockdown.” “RoboCop,” and “Street Light”), features on Timbaland’s Shock Value II (“Can You Feel It” and “Undertow”), as well as a few tracks here and there that were uploaded for purchase and stream from the official Myspace.

We also know that “Believer,” which was featured on Esthero’s Myspace page a few years ago and featured background vocals by Brandy will not be featured on the album (as confirmed by Englishman’s Formspring).

The Myspace tracks are unfortunately gone due to unauthorized ripping and distribution of the songs. You can read more about that in an emotional entry here. Hey, you’d be mad too, right?

Whatever the case is, we know that Breath From Another has finally been added to iTunes so you can now add the flawless collection of tracks to your iPod. Also, it’s been far too long since we last heard a proper display of emotions and wonderful songs from the Pink Pirate.

This is a project long anticipated and long overdue. She’s our self-proclaimed singers favorite singer and one of our top artists of all time. With open arms we say: welcome back, Esthero.

The new single will drop June 5th according to E’s official Twitter. We’re anxiously awaiting a song title.

What do you hope to hear from the project? Some jazz? Trip-hop/downtempo goodness? Pop? Let us know!


Purchase Breath From Another [Amazon]
Purchase Wikked Lil Grrrls [Amazon]

(Off topic. While researching a bit more on this project we found quite a sad entry we thought we would share in which Esthero spoke on Amy Winehouse. “I Don’t Want Amy Winehouse To Die.” A very touching read given the devastating reality some years after.)

Posted in Sine Wave | Tagged , , , , , , | 4 Comments